SELECT A MONTH:
Feb 25 | By Joerg Colberg
Not long ago, two writers on photography found themselves in broad agreement when each approached some pretty fundamental questions at the core of photography in curiously similar terms. One wrote (and posted a short video) on how it was worth trying to bear in mind that some things patently ‘matter’ in photography and others equally do not. The other wrote that identifying what was ‘at stake’ in a photographic project was a useful way of ascribing value to some things and withholding it from others. At that stage they acted separately. But since writing on subjects like these is all about engaging others in conversation, one invited the other to get in touch, and they have exchanged a number of e-mails batting ideas around. (more)
Read more »
Feb 18 | By Joerg Colberg
Photography has finally come full circle so that it can investigate itself and its uses, the latter of course being the aspect where things get interesting. Lisa Fairstein’s Ultra-Static throws the viewer right into a seemingly absurd world, which, however, feels oddly familiar (because it is). Pulling together references from different areas of photography the resulting images offer no relief in the form of advertizing or magazine copy, which would allow us to filter the imagery. Instead, we are left with photography’s artifice, with all that photography is so good at, and bad at. Find a conversation with the photographer below. (more)
Read more »
Feb 11 | By Joerg Colberg
Let’s face it, the tedium of seeing the sheer endless stream of photographs on Tumblr, images that might or might not be properly attributed, is just depressing. We might be all photographers now, but does that mean that we all have to be mindless consumers as well? Of course, our late-capitalist culture is based on just that, on people turning into consumers without questioning what is going on. But what do we actually gain from applying that model to photography? (more)
Read more »
Feb 4 | By Joerg Colberg
I am not going to actually show the photograph I am going to write about. I realize this is most unusual. But I hope that my reasons will become obvious in the following. The photograph I am going to talk about shows a young woman in the center of the frame who is surrounded by six male figures (there is a seventh in the background who does not appear to be part of what is going on). Of these six males, five are photographers. They’re photographers we call paparazzi. The young woman - actress Sienna Miller - is caught “mid-action”: Her posture looks defensive, her arms are raised, in particular her right one, as if to defend herself from the paparazzo at the left edge of the frame whose gaze is centered on her. The man at the right edge of the frame does not appear to be a photographer, he is looking at the paparazzo at the left edge. We might add that there must have been at least one other photographer present, the one who took the photograph in question. (more)
Read more »