A Conversation with Anouk Kruithof
Meditations on Photographs: Man peering in window, Knoxville by Mark Steinmetz
Meditations on Photographs: Sleeping Soldier (Steve Kim, Korengal Valley, Afghanistan) by Tim Hetherington
Meditations on Photographs: Hilton Head Island, South Carolina, USA June 24 1992 by Rineke Dijkstra
Jim Goldberg and the Struggle of Photographic Storytelling

Talking about photography...

Longer articles about fine-art photography and extended interviews with its leading practitioners.

Photography and Place: Appalachia

Photography and Place: Appalachia

I thought it might not hurt to address the thoughts I recently outlined in Photography and Place, using a specific location as an example. Given the photographic representation of Appalachia has been very heavily discussed over the past few weeks (c.f. the Perpetuating the Visual Myth of Appalachia posts on Roger May’s blog) I figured this particular region might provide a good jump-off point. (more)

By Joerg Colberg  |  May 21, 2012

A Conversation with Christian Patterson

A Conversation with Christian Patterson

Christian Patterson’s Redheaded Peckerwood (also see the publisher’s website and my review) made it onto so many “best of 2011” lists that it was by far the most popular book last year. A body of amazing depth and sophistication, it is a shining example of what the contemporary photobook can do. There now is a second edition, and I used the occasion to talk with Christian about the book. Find the full piece below. (more)

By Joerg Colberg  |  Apr 9, 2012

Meditations on Photographs: Lewis Payne by Alexander Gardner

Meditations on Photographs: Lewis Payne by Alexander Gardner

Now here’s a picture for our times: A photograph taken by Alexander Gardner in 1865, a portrait of Lewis Payne, one of the men involved in the assassination of Abraham Lincoln. If there ever was defiance, here we’d have it, and we love that kind of attitude, even (especially?) if it is on display by a soon-to-be-convicted (and hanged) criminal. It’s a handsome face, too, oddly out of time: You wouldn’t be surprised to meet someone looking, even dressing like this, in a local coffee shop. But Payne also looks like the hero in every movie - the dashing main figure who will escape into the night even if all his accomplices get caught or killed, the ruthless killer or violent lunatic that we still root for (think “Doug MacRay” in The Town). (more)

By Joerg Colberg  |  Apr 2, 2012


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