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Dec 20 | By Joerg Colberg
If you happen to come across a photobook showing you images of chicken filets and images from furniture ads, it’s like you’re looking at one of Erik Kessels’ products. Apart from owning and operating an ad agency (make sure to reload that site several times) and various other activities, Erik runs KesselsKramer Publishing, which is responsible for gems such as the In Almost Every Picture or Useful Photography series. To find out more about the ideas behind the work, I sat down with Erik on a sunny late-November morning in Amsterdam to ask some questions. (more)
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Dec 7 | By Joerg Colberg
This is the first conversation in a new series focusing on photobooks and their makers. I’m talking with photographers Richard Renaldi and Seth Boyd of Charles Lane Press about what photobooks mean to them and about their experiences with their publishing company. (more)
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Dec 2 | By Joerg Colberg
It is one of those coincidences that around the time I published my posts about German photography right after the war (part 1, part 2), I came across the work of Helena Schätzle, The time in between. Of course, I was curious to learn more about it, so I approached Helena and asked her whether she would be willing to talk about the work. Find the conversation below. (more)
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