SELECT A MONTH:
Nov 24 | By Joerg Colberg
Oksana Yushko is one of the winners of this year’s Conscientious Portfolio Competition. About her work, juror Susanna Brown wrote: “Oksana Yushko’s project Kenozero Dreams reveals both the beauty and banality of life for the inhabitants of Kenozero in Nothern Russia. We glimpse a place that has remained relatively unchanged for decades and an atmosphere of longing, of waiting. The landscape and portrait images are equally evocative, but for me the most memorable photograph in this series depicts two teenagers in a field, collecting flowers in the twilight haze. Dressed in modern clothes they carry out an ancient pagan rite. The boy’s gaze is transfixed, balancing a delicate wreath of flowers on his baseball cap he stares into the gloaming, and perhaps into his own future.” In the following conversation, I talk with Oksana about her work. (more)
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Nov 18 | By Joerg Colberg
A little while ago, Benjamin of duckrabbit fame sent me an email, telling me about Ivor Prickett and his story about Abkhazia. I like Ivor’s work very much, and since there currently is so much talk about how photojournalism is presumably dead (or maybe not) and about the relationship between photojournalism, documentary photography and what we call “fine art” photography (for a lack of a better term), I approached him to talk about his work. (more)
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Nov 12 | By Joerg Colberg
I’m just back from visiting the New York Art Book Fair, and I’ve been thinking about what I like about photobooks so much. Individual books might appeal to me for particular reasons, but as a whole, as a species, photobooks have become incredibly dear to me. Why do I spend so much time looking at them, thinking about them, even making them (Meier & Müller’s forthcoming books are currently being conceived)? (more)
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