“Techno-aesthetic changes have nothing to do with ‘ruining’ photography, and the so called ‘democratization’ of the medium, insofar as it entails more people taking pictures, is not a threat to anyone who wishes to devote him or herself to a serious exploration of the medium. […] If you look at digital technology from the perspective of individual creative freedom and editorial control, it certainly looks like a good deal; but if you look at it in terms of the collective effects, and the market forces that are shaping up to profit from it, then the bargain is at best Faustian. On the one hand, you have greater independence, but on the other there is increasing fragmentation of information sources which bewilders the consumers instead of enlightening them, and forces the independent producer more and more into an information ghetto that is deprived of cultural heft.” - Jon Anderson