There seems to have emerged a younger generation of photographers who are happy to bypass standard modes of social engagement to create their own. I wonderful example I just came across is Andres Marroquin Winkelman’s Zapallal/Yurinaki, a photo project done in Peru, which involved both Andres taking photos as well as the children living in the two communities portrayed doing so. Of course, there is a bit of a contrast between the two portfolios that emerged, but their juxtaposition is quite powerful.