“The release of the Paris Hilton vehicle The Hottie and the Nottie has revived the debate as to which is the worst motion picture ever made. […] Anyone can make a bad movie; Kate Hudson and Adam Sandler make them by the fistful. […] Anyone can make an unwatchable movie; Jack Black and Martin Lawrence do it every week. And anyone can make a comedy that is not funny; Jack Black and Martin Lawrence do it every week. But to make a movie that destroys a studio, wrecks careers, bankrupts investors, and turns everyone connected with it into a laughing stock requires a level of moxie, self-involvement, lack of taste, obliviousness to reality and general contempt for mankind that the average director, producer and movie star can only dream of attaining. […] To qualify as one of the worst films of all time, several strict requirements must be met. For starters, a truly awful movie must have started out with some expectation of not being awful. That is why making a horrific, cheapo motion picture that stars [Paris] Hilton or Jessica Simpson is not really much of an accomplishment. Did anyone seriously expect a film called The Hottie and The Nottie not to suck? […] There is one other requirement for a movie to be considered one of the worst ever: it must keep getting worse. By this, I mean that it not only must keep getting worse while you are watching it, but it must, upon subsequent viewings, seem even worse than the last time you saw it. […] Madonna’s Swept Away […] seems more amateurish on each viewing, like a morass that starts out as a quagmire, then morphs into a cesspool and finally turns into a slime pit on the road to its ultimate destination in the bowels of Hell.” - full meditation on what makes a truly terrible movie