Review: High Glitz by Susan Anderson

HighGlitz_Jacket.jpg Just like almost every aspect of our modern life, child beauty pageants have become an industry that generates a lot of money for those behind them. In a nutshell, here is how this works: "There is a minimum cost of $545 to enter the [Universal Royalty] pageant, which covers basic entry fees. Another $395 is needed for the maximum options of this pageant. The average cost of the pageant is about $655 which includes the formal wear, sports wear and dance. The average cost does not include travel, hotel and food, which can be up to an extra two hundred dollars. According to several stage mothers participating in Universal Royalty, dresses for sports and formal wear can cost up to $12,000 with a minimum of $1500." (source) The title to win is the "grand supreme": "The grand supreme winner receives one thousand dollars in cash, ten-inch crystal crown, six-foot trophy, supreme entry paid in full to nationals, tote bag, satin rhinestone banner, teddy bear, bouquet of long stem red roses, gifts, video of the pageant, and photo on advertisement of beauty pageant." (same source) So in a nutshell, the winner gets her/his [parents'] money back, some trophies, plus a title (which might or might not mean something). The rest also get trophies and titles, but no money.

Needless to say, these numbers just describe the economy behind child beauty pageants. But what price can possibly be put on a childhood itself? Common sense would have it that training young children (predominantly girls) to be beauty pageant contestants cannot possibly be healthy for them.

Needless to say, just as there are lots of people who, for example, believe that global warming is not caused by humanity's emission of greenhouse gases, many people are convinced that subjecting children to beauty pageants is beneficial for them (here is an example).

Susan Anderson's High Glitz: The Extravagant World of Child Pageants (which has its own micro-site) puts a human face to this issue by portraying contestants from child beauty pageants. Anderson is a commercial photographer, and for the book she applied her craft to these young children, all of them in full costume. It's hard to tell how much post-processing went into the production of the images, but it is quite obvious that the children don't look the way they are shown because of the photographer's Photoshop skills. In other words, the photographer did not Photoshop them into the state they are in (which, if you have never seen such images, at first might be hard to believe). Most of them are very heavily made up, with spray tans, "flippers" (fake front teeth that are great for extremely fake smiles), elaborate and completely age-inappropriate dresses, plus poses that normal children do not tend to strike. The book also features an illustrated glossary of what you see in the images, all of it presented and packaged very well (something that is not always the case for Powerhouse books).

So there it is, the world of child beauty pageants. Despite having seen many episodes of the TV show "Toddlers and Tiaras", I found the book hard to stomach. I simply could not bring myself to look through it in one go. It's just too nauseating to see images of very young children dressed up and made up in ways that are... just wrong in any possible way. Of course, the big question is what these pageants say about our own culture, about how we see childhood, about making money... Hopefully, High Glitz: The Extravagant World of Child Pageants will trigger a bit of a debate about this.

No TrackBacks

TrackBack URL: http://jmcolberg.com/cgi-bin/mt/mt-tb.cgi/423

Support this blog

Monthly Archives

Advertizing

About this Entry

This page contains a single entry by Joerg Colberg published on October 16, 2009 12:40 PM.

Matt Dallos was the previous entry in this blog.

Review: Japanese Photobooks of the 1960s and 70s is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

Links

(this list is out of date - the blogroll will be updated when the redesiged version of the blog goes live)
1000 words blog
2point8
5b4
ian aleksander adams
american suburb x
blake andrews
timothy archibald
asia photography blog
elizabeth avedon
juliana beasley
jen bekman
dawoud bey
bildwerk3
bint photo books
the black snapper
bldblog
bloggy
bps research digest blog
david bram
buffet (andrew phelps)
daniel bühler
daniel campbell
cigarettes and purity (mel trittin)
c-monster.net
consumptive.org
contact
nina corvallo
coudal partners
mrs. deane
digressions (daniel shea)
dvafoto
amy elkins
expiration notice
exposure (aperture)
exposure compensation
the exposure project
eye curious (marc feustel)
flak photo
elizabeth fleming
fraction magazine
from this moment
fugitive vision
gazpachot
gmtPlus9
shane godfrey
ground glass (cara phillips)
the guardian - art section
heading east
andrew hetherington
horses think (ofer wolberger)
hippolyte bayard
hotshoe blog
i heart photograph
the independent photo book
japan exposures
japan photo
journal of a photographer
hee jin kang
kottke.org
liz kuball
la pura vida blog
vincent laforet
shane lavalette
lens culture
lenscratch
love oliver
magnum blog
melanie mcwhorter
modern art obsession
heather morton art buyer blog
muse-ings
new photographics
notes on politics, theory and photography
obvious
ocular octopus
ostkreuz agency
colin pantall
pdnedu
photo book guide
the photobook
photographs do not bend
photography collection
photography lot
a photo student
susana raab
40 watts (shawn records)
richard renaldi
jonathan saunders
seesaw magazine
shooting wide open
the sonic blog
alec soth (archives)
state of the art
amy stein
zoe strauss
telephoto
that's a negative
thingsmagazine.net
too much chocolate
mark tucker
brian ulrich
uncommons
verve photo
vvork
wan.der.lust.ag.ra.phy
wassenaar
greg wasserstrom
we can shoot, too
we can't paint
shen wei
edward winkleman
women in photography
wood s lot
year in pictures (james danziger)
zoum zoum